Final eng 111 | English homework help
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Part C Neil Gaiman’s short fiction “We Can Get Them for You Wholesale,” Internal Conflict: a character’s moral dilemma; the conflict can be caused by a clash between competing personal goals, values, or emotions. Example: Imagine a story where a man is contemplating robbing his neighbors’ house while they are away on vacation so he can afford to feed his children. He must struggle between two opposing ideas: 1 the guilt and shame of being unable to provide for his family, and 2 his personal ethics against stealing from others. Your Prompt: R egarding Neil Gaiman’s short fiction “We Can Get Them for You Wholesale,” discuss the internal conflict that Peter must overcome in the story. Reveal this internal conflict, discuss how he decides to overcome it, and show his final thoughts about that decision. [Remember, introduce the author and story title, answer the prompt’s question using the prompt’s language, cite a strong quote which illustrates that answer, explain how that quote supports your answer, and summarize your findings while adding no new information.]
Your Analysis:
PM Part A Revision for purpose in literary analysis (I attached the assignment you did for me that is relative to this assignment). I received a 70 percent. You will need to do redo this assignment based on the feedback below. This assignment has three parts. Part B is the rewriting of the document for submission and Part A are the questions that you need to answer. Part C I attached. Feedback: Dec 3 at 2pm I will grade 50% for your original interpretation of Poe's text and 50% for the clarity with which you lay out the paragraphs (unity and coherence as discussed). · please review the assignment description for prewriting and planning · I can see the beginnings of close readings but no real language analysis · moral corruption is not a theme; it is a trope. it is something happening, being represented. it is not a debatable, real-world question as required · you are relying on the text too much because you are following what happens (trope) more than how what happens helps me to think about a real-world problem (theme) · feel free to walk me through your process here if you want more help · the last paragraph is not addressing the debatable question, as required, in the real world Important: don't use this as a simple checklist but rather PROVE to yourself that you have done everything that you can or else plan changes; the point of revision is change and not being cleared. You can get better! Don't draft here but JUST PLAN. You used three questions in the planning document for the literary analysis. We now turn these into three questions to answer for revision planning (for purpose). Answer these questions, using the notes that you prepared and or adding detail as needed, answering each in the equivalent of a small paragraph with claim, evidence, and explanation (make a claim and prove it):